Synth pop started to become somewhat of a classification for them, but they never dropped the proggy sophistication. The bassist Haroumi Hosono, had four solo albums and was a prolific producer.Īs soon as they all agreed to form YELLOW MAGIC ORCHESTRA, the albums started coming out, and the influence of KRAFTWERK combined with a signature flair, and innovative electronics, took off. The band was formed by Ryuichi Sakamoto, who collaborated with Yukihiro Takahashi who was a solo drummer, and worked with the art rock group THE SADISTIC MIKA BAND. Their use of sequencing, drum programming and synths were put to very broad use, making very arty, technological, and sophisticated mechanical music. Icons in Japan and the rest of the world, YELLOW MAGIC ORCHESTRA are highly innovative and influencing in the world of electronics, similar to KRAFTWERK. However, there are some standout tracks on side two: Cue by Hosono and Takahashi is a very assured ballad, given sufficient frisson by its galloping synth line and strangely programmed drums UT is a Kraftwerk-ian instrumental charged with menace and speed and Loom finally gets to a calm resting place of dripping water, floating electronics, and a Eno -esque atmosphere.īridge Over Troubled Music is just an ambient transition for the futuristic Mad Pierrot.
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